In his latest piece for Hollywood Hegemony, writer Adam Hofmeister reviews ‘Will and Testament’, Skip Kite’s “fitting tribute for a socialist hero”, and pays his own respects to the life and ideas of the late Tony Benn.
The late Philip Seymour Hoffman’s outing as ‘German’ terror detective Gunther Bachmann is hamstrung by the same defect that up-ends the protagonist. It is so concerned with having a ‘grown up’ dialogue on terrorism, that it becomes the personification of a grey area. It is bereft of warmth, colour and interest. Of course, it’s not without it’s redeeming features – but they come too little too late for an audience fast losing interest.
Rachel McAdams dozes off, as do most of the audience.