I have been writing as a regular culture correspondent for The Norwich Radical since January, and it’s been… an experience. I’ve written about the ideological implications of Wrestlemania, the politics of Pulp’s Common People, and the romance of Romero’s zombie films, but I am making a shift into their community section covering local events on our political scene (don’t worry, HH will continue as always). It seems fitting then, that my last -regular- culture piece is about a totally irregular community radio show. You can check it out by clicking the linked sample-text below. Enjoy… -JB
The fact that so much of our ‘escapism’ is into worlds that are literally a living hell says a lot about the disconnect between capitalist ideology and the reality it actually delivers. It’s what game designers describe as an uncanny valley effect, where something is almost human but not quite, and so becomes more unnaturally terrifying than something blatantly false.
Companies that have sponsored the murder of trade unionists, who would sooner put nets up to prevent sweat-shop workers jumping from their rooves than improve pay and conditions, try constantly to convince us they care about our enjoyment — and it is like being courted by a serial-killer. We are so desperate to escape from the unhinged pseudo-niceties surrounding us that we actively fantasise about the apocalypse — because at least the zombie horde never tried to charge us rent, and triffids never tried to be our friends. Within that realm though, the potential for something quite different, even radical exists. The opportunity to satirise the ills of the real world.