IT’S JUST ONE HOUR UNTIL THE DAY ITSELF. We at Hollywood Hegemony hope that your stockings are crammed with goodies. But if it’s coal then at least you’ll have this Christmas gem to wake up to; our very own ‘analysis’ of Tim Burton’s Nightmare Before Christmas. So, merry Christmas to all, and to all a good nightmare.
Traditionally, ghosts are usually the anonymised remnants of souls who perished unjustly – who return, damaged and riled by the experience, to extol revenge from the living. They are the people who die in pain, misery and poverty, having been hounded to their graves – even in the modern day – by elites who see nothing monstrous in that – only normality. Elites who overthrow their own reason by refusing to acknowledge those forces inside themselves which they simply cannot understand – and who subsequently cannot foresee a backlash to their actions. And that’s why ghost stories like Whistle and I’ll Come to You are ever so essential ingredients to Christmas tradition – as a warning to those ‘more fortunate’.
Following a disasterous vote in Parliament yesterday, where 66 “Labour” MPs voted in favour of shelling Syria, the news has been awash with sycophancy, none worse than the glowing reviews currently being slathered over Hilary Benn’s over-done performance.
The Shadow Secretary for Murder made what has been described as a “powerful,” “emotional” and “compelling” case for a bombing campaign that “moved MPs to tears” according to the Blairite rag that is the New Statesman. Every other say on the matter has basically been airbrushed from history – in favour of celebrating a speech that has dragged Britain into another blood-stained shambles of a conflict. Hooray for war. Hooray for slaughter. Hooray for repetitive strain. Continue reading