For the first time, the Norwich Radical Film Festival is proud to present a new release as part of it’s monthly screening series. This is an East Anglian première of a radical new film that gives a voice to people often ignored by society; sex-workers. It has been short-listed at festivals New York, Portland and London – and we are proud to bring it to Norwich’s Forum Auditorium on the 18th of May at 7pm.
“The Red Umbrella Diaries” is a feature documentary directed by David Kornfield that tells the personal stories of seven diverse New Yorkers who work in different sectors of the sex trade and come together to tell their tales on stage at Joes Pub. The story-lines explore the question: what happens if people ignored by the mainstream media take control of their own stories, and how they are presented to the world?
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IT’S JUST ONE HOUR UNTIL THE DAY ITSELF. We at Hollywood Hegemony hope that your stockings are crammed with goodies. But if it’s coal then at least you’ll have this Christmas gem to wake up to; our very own ‘analysis’ of Tim Burton’s Nightmare Before Christmas. So, merry Christmas to all, and to all a good nightmare.
Traditionally, ghosts are usually the anonymised remnants of souls who perished unjustly – who return, damaged and riled by the experience, to extol revenge from the living. They are the people who die in pain, misery and poverty, having been hounded to their graves – even in the modern day – by elites who see nothing monstrous in that – only normality. Elites who overthrow their own reason by refusing to acknowledge those forces inside themselves which they simply cannot understand – and who subsequently cannot foresee a backlash to their actions. And that’s why ghost stories like Whistle and I’ll Come to You are ever so essential ingredients to Christmas tradition – as a warning to those ‘more fortunate’.
“There are more things in heaven and earth than are dreamt of in your philosophy…”
It’s been a poor year for gangster cinema – Cell Magazine‘s Laurence Langan writes for Hollywood Hegemony on why Johnny Depp’s latest vehicle, Black Mass, does little to buck that trend.
You’re in the pub. Everyone’s talking. Politics, T.V or general gossip, it doesn’t matter. You’re having a good old gab. You jump in to the conversation with a flourish, monologuing passionately about the way the world is. Cement solid points and clever informed witticisms flow forth. Then, as you go on, you sort of lose track of what you’re saying. First you’re generalising. Now you’re quoting something out of context. Then you’re just plain making something up. Soon, you trail off and mutter a sort of open ended, vacuous moral and quickly pretend you need to go and use the facilities. Exit stage left.
This kind of social awkwardness is what watching Black Mass is a bit like. A muddled, pointless ramble with zero self-awareness. Continue reading →
Forget the thinly veiled misogyny of 50 Shades of Grey, this Valentine’s there’s only one film you need sink your teeth into. So rather than the usual sugary sweet gunk that clogs up our screens this time of year, cuddle up with your loved ones – although not too close – and cower in silence to the ignored genius of Bruce McDonald and Tony Burgess’ Pontypool.
There is a conspicuous absence of a particular speech in Selma. There is no “I have a dream.” But then, in a film that is just as much about encouraging us to fight collectively to enable each other’s dreams in the modern day, that single call to arms is just a tiny part of the story anyway. That’s why, in a world fraught with division and desperation, it is the most important film nominated at the 2015 Oscars.
It’s a whole new year and we have an exciting announcement! Change is coming to Hollywood Hegemony – but we need your help to do it. Our appeal for funds lasts until next month, please give generously! There’s a whole host of special prizes for those who do! For more information, and links to the fundraising page, please see below.