Horror Cuts: The Whole Trilogy (Plus Extras)

It’s the first Halloween in 4 years I haven’t released a new film – and while that fills me with a deep sadness, we can still enjoy the good times we had, right?
So, make the most of your Monday-night Halloween, put your feet up, ignore the ringing at the door, the thumping of eggs on glass, and the… unnerving feeling of being watched… and enjoy the WHOLE Horror Cuts trilogy along with the 2 “special features” I produced after. Enjoy. Or at least, try not to scream too loud. -JB

Dead Labour and Dark Shadows (2012)

Dawn of the Red (2013)

Witches and Bitches (2014)

The Nightmare Before Christmas (2014)

The Wretched of the Earth (2015)

Witching and Bitching at the General Election

As the women who have changed the face of this general election for the better face increasing heat, Jack Brindelli revisits our very own film Witches and Bitches.

So, the election debates have been turned on their head by three women promising to give radical anti-cuts politics at Westminster. Last night, the BBC played host to… nearly all the major players in this election, with David Cameron conspicuous in his absense, and Nick Clegg characteristic in his. But whilst Clegg was busy drunkenly texting threats to Miliband’s PA from a pub somewhere in Ecclesall (seriously, that happened), the SNP, Plaid Cymru and the Green Party were kicking arse and taking names against a suited male elite seemingly unwilling, as well as incapable, of defending itself. And for some reason there are now large swathes of men all over the internet’s perpetually jerking knee, Twitter, comparing Nicola Sturgeon, Natalie Bennett and Leanne Wood to certain pointy-hatted, broom-riding mythical beings… Continue reading

The Witch of Your Mother – The Spanish Coven

To celebrate Halloween, Hollywood Hegemony proudly presents horror academic Irene Cuder’s thought provoking essay regarding the role of witches in demonising female empowerment. 

                    Irene also features in our final Horror Cuts film “Witching and Bitching”

As Creed states, “there is one incontestably monstrous role in the horror film that belongs

to woman – that of the witch” (Creed, 1993, p. 73). The film Witching and Bitching,

aka Las Brujas de Zugarramurdi (de la Iglesia, 2013) offers a good example of a filmic

representation of male tension towards female empowerment by introducing a recently

divorced father who abducts his son and perpetrates a robbery and in her attempt to leave

Spain to start a new life with his son, he encounters an evil coven. Continue reading