Check out the Women’s Film and Television History blog

My review of The Song of the Shirt (1970) and many other interesting reads await on the Women’s Film and Television History blog, which you can visit here (or by clicking the sample text to my review below). It’s a site well worth a look for a more academic exploration of cinema and gender.

The Song of the Shirt poster

At first glance, The Song of the Shirt (Clayton and Curling, 1979) is hard to enjoy. The opening consists of migraine-inducing overlapping texts; squawking free-form clarinets, and jumbled quick-fire quotes. It seems initially that this attempt to deconstruct the grand narratives of liberal history, and reform the component parts into a radical critique, lacks any kind of structural coherence. However, it soon emerges that this is actually a brilliant foreshadowing of the structure of the film. Eventually, out of the chaos comes a brilliantly orchestrated profundity...”

Check out “Selling The North” on the Norwich Film Festival!

My new feature article for the Norwich Film Festival has gone live. It regards the exploitation of the myth of the Southerner in the light of two of this year’s Oscar contenders. It’s got slander, abuse, and KFC in it, so why not go check it out by clicking the sample text below, ya’ll?

Or else there will be Cage-based consequences…

Over the course of the 150 years since the American Civil War, Southern Americans have been the go-to group when it comes to a caricature everyone can get behind giving a good kicking. In the fallout of the war, the hillbilly character originated from Northern news writers, as a kind of primitive parallel to the ‘civilising’ process of industrialisation sweeping the country in the second half of the 1800s. The South had been left in ruin after the war, economically crippled and hit by bad harvests – and the ordinary folk there were subsequently painted as a primitive embarrassment. At the time America’s leaders were becoming obsessed with carving out a new image in the eyes of the world, and the poor, ‘ignorant’, ‘lazy’ South didn’t fit with their ambitions to expand the market empires they thrived from. One example to sum up this frustration, featured in Rich Hall’s brilliant BBC film The Dirty South (2010), comes from The Baltimore Sun in 1912, who suggested the only two remedies to such folk were “education and extermination.” Yikes – with an attitude like that if he’d been born a century later the writer could’ve landed a career in the ATOS PR department!

Love and Chaos: A Belated Review of Monsters

As February 14th’s sickeningly saccharine celebration of ‘wuv’ approaches with all the grim anticipation of a trip to the gallows, it’s a depressing time to be film enthusiast. With Hollywood’s unobtainable, absurd and often psychotic assertion of what “true love” means, even if you aren’t adrift in a sea of solitude, cinematic relationships might as well be alien pornography. Perhaps then it’s no surprise that one of the most beautifully honest depictions of a human relationship this decade comes from a garage film about extra-terrestrial mating rituals.

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